Monday, December 28, 2015

Excerpt: The Hole in the Wall

It was Hole in the Wall where Emerson got his first job in San Francisco; a low-pressure position behind a counter selling hot dogs and ice cream cones. Perhaps he wouldn’t be so busy that he couldn’t study a little Chinese along the way.
An endless stream of tourists waited in a queue, shuffling slowly passed the hot dog stand, inching closer to the turntable near Market Street, to catch the famous cable car as it was turned on Powell Street back up and over the hill to Fisherman’s Wharf.
The Hole in the Wall was frequented mostly by white tourist families , but occasionally a Chinese man would go in, not for ice cream, but to ask Emerson strange questions like “How is business?” or “What day is today?”. They wanted him to tell Bruce Gao that they were there. Emerson called Mama Gao who was across the street somewhere in an office in the Woolworth Building. Emerson started wondering exactly what his store was a hole in the wall for. He soon found out.
Bruce Gao was a Chinese-American who hired Emerson. The short, thin, mustached entrepreneur in dark sunglasses would stop into the store every morning all summer and then rush out to the street to the cable car turntable a few yards down near the Market Street terminus where willing volunteers helped push the antique cars around; an endearing photo opportunity for visitors. Bruce was there with a Polaroid camera to snap them up for five dollars a shot. His Caucasian wife stood nearby wearing an advertising sandwich around her shoulders. She collected the fees Bruce handed her.
Fingers plucked a pre-tuned guitar, holding the pick with the only two fingers he had, playing Musslewhite slide-guitar with the aluminum top of a mixed-drink shaker wedged over the stump where his left hand had been. He played it so well. Slide guitar was as natural to him as a split fingered- slider was to Mordecai Peter Centennial "Three Finger" Brown, the famous handicapped pitcher. Like Fingers, he didn’t know how he played so well because he had never played any other way. Fingers played the Delta blues, with the red-felt lined guitar case in front of him, on the street. The endless line of summer tourists waited behind the ropes slung along the cable car line on Powell Street down to the BART Station promenade on Market Street.
“Look at that,” Fingers said to Emerson standing at the popcorn machine on the sidewalk, “That cheapskate just threw in a friggin’ dime.”
“Are you with the cable car company?” Emerson asked naively.
“Am I with what? Say what?” Fingers grimaced. “You’re surely joking, right?”
“No, I’m serious; they should pay you for entertaining the crowd,” Emerson replied enthusiastically.
“Yeah right; I scare the hell out of those buggers.” He gestured to the stumps at the end of his arms. “That’s what you get for being stoned drunk and falling asleep across a railroad track.”
Fingers had a captive audience for “Born under a Bad Sign,” which he most certainly was, and “Sittin’ on Top of the World,” which he most certainly wasn’t. Occasionally, some kid’s father would acknowledge Fingers by sending a daughter with a quarter to put in Finger’s guitar case; you could see him point her towards Finger’s cash case saying, “Go on; don’t be afraid.” But the child’s fear of approaching a fat, hand-less, Samoan with a guitar on the street was enough to make him think twice. Fingers had such a sweet smile though. But most tourists tried their best not to look at or hear Fingers, at all.
The line got shorter each cute cable car filled after being pushed around the turntable by the happy call for “volunteers” by the brakemen, to return up Powell Street to Fisherman’s Wharf. To be stuck in front of Fingers, listening to another rendition of “Summertime,” in the heat of a San Francisco summer, was more painful to some shy tourists than being stuck upside-down on an amusement park ride.
Occasionally, when things got slow, Fingers berated the crowd for being cheapskates. Minutes passed between songs without donations. He’d go into another rendition of “I’d Rather Go Blind than to See You with Another Man.” Parents cringed as their kiddies tugged at their pants and asked why the fat in singer in the Tom Sawyer could play the guitar but had no hands. “Could he really go blind that way? Did he see her touch another man?”
Bruce Gao’s mother showed up at The Hole in the Wall regularly; she was all business. Even shorter than her five-foot tall son. When she came, Emerson had to pretend he didn’t know Fingers. Unlike her son, she’d breeze passed Emerson at the popcorn machine without a “hello,” scurry down the narrow space in front of the counter, and expect him to follow behind. There, she rang up the cash register, opened the till, and counted the money witnessed. The income had to match the number of hot dogs and spiced sausages floating in the aluminum tub of hot oil-dotted water.
“How many hot dog you sell?” just to test him; she knew how many there should be justified.
“Fourteen.”
“Then why fifteen missing?”
“I had one for a snack.”
“It not lunch time yet.”
“I was hungry.”
“No eat behind counter; okay? Not professional,” she strongly said, took the extra cash, added five more dogs from the refrigerator, and left the store with Emerson almost at attention.
Emerson learned she had an office in the Woolworth building across the street. She processed photographs there, he later learned, for fake passports and visas. How did he learn?

Emerson went home on the Market Street streetcar. When it made the turn onto Church Street, he was just a few blocks away from home. Bob was there to greet him. Bob was the man who lived downstairs in the small Victorian house. He seemed nice enough, introducing his wife, Cathy and his two little daughters; a lovely woman and two lovely little girls.
The chaos started a few nights later at nine o’clock. The cool evening air was unstable. One blanket cloud, in high wind, marched east in the sky from off the Pacific Ocean to engulf San Francisco. The streets became urgent, sounds muffled.
      First Emerson could hear angry voices through the air duct in the wall behind the refrigerator; high-pitched tortured squeals dying with deep articulations like growls. Through the window now he heard them, boomeranging of the shocking pink plastic siding off the house across the alley.

      How do you get false papers to be smuggled to America? Every day that the sun shined during the summer, Bruce Gao was out by the cable car roundhouse taking Polaroid photos of kids with their parents. It was a front. The real business took place upstairs in the Woolworth building where Bruce’s mother was getting phone calls and making arrangements with snakeheads in Canton. The stolen passports were the job of Bruce Gao’s wife. While Bruce was taking photos of dads with their kids, his Caucasian wife was charmingly sneaking up behind them and lifting the passport from pop’s pocket. The handoff was made and brought to Mama Gao in the print shop where all the mechanisms were available for changing photos and names on passports using the original sensitive paper, changing the code, and sending it on its way to the recipient across the Pacific in China. Emerson knew something was going on when single middle-aged Chinese men entered the Hole in The Wall looking for Bruce or Mama Gao. They had no interest in a bag of popcorn or having their souvenir photo taken. Theirs were bigger fish to fry. 
      Emerson didn’t find out how it was done until years later when he was teaching at Norman Thomas High School. That’s when he met Ting Wang, a thirteen year old when his parents paid smugglers $25,000 to take him from his village in China to the United States. He had enrolled himself there, thanks to his immigration attorney who had searched for a legal solution and had gotten him a visa meant for victims of human trafficking – usually meant for people who were brought to America against their will, like women forced to work as prostitutes.
      It starts when the parents of a Chinese youth contracts a “snakehead,” a local mafia loan shark who promises to take the youth where he can have a better life and earn $1000 a month instead of $100 working at a restaurant in San Francisco. When he arrived, in a phone conversation with his mom, he learned that he had to send money home or their lives would be in danger. When the debt is paid off, the family is free. Immigration authorities detain thousands of unaccompanied youth trying to enter the U.S. Ting Wang was one that made it through.
      One snakehead’s connection was Bruce Gao and family. Mama Gao knew people from the youth’s village and did them a service. The doctored passports and visas were contracted for and picked up by an agent, a U.S. citizen who brought it to back to China and accompanied the youth on the return, pretending to be a relative. The whole transaction was done in cash. The agent was then supposed to set up employment for the youth and guide him on his way, but it often didn’t happen like that.
Once Ting Wang was brought to America, he was on his own. His mother told him to look around for employment agencies in Chinatown and he did, but he was told he was too young and turned away again and again spending the first five nights sleeping on a bench in the Embarcadero, until by chance he met a man from his village who offered him a job in his garment factory.
Emerson didn’t know about any of that when he hawked hot dogs at the Hole in the Wall; only that there was some funny business going on. To the Gao family, Emerson was a Trojan Horse. In an attempt to get them to lay him off so he could collect unemployment insurance, he threatened them not realizing how close he got to getting himself killed.
“I know what you’re up to,” he said
“What? What am I up to?” Bruce questioned cautiously when he stopped by to see what mess Emerson had caused; Emerson took to tossing a hot dog through the fan they had placed at the end of the counter and watching as it splattered all over the tiny store. Then, he would slowly clean it up, until Bruce got the picture, but Mama Gao wouldn’t suffer the contribution she would have to make to let him go, so she kept him on. However, they couldn’t jeopardize their smuggling racket and finally relented, but not before sending Emerson a warning.
It happened one day that a check his aunt had sent from New York had gotten lost in the mail. Emerson knew it was a month late because his aunt kept checking on it for him. Then, one day, Bruce Gao handed Emerson the envelope that contained the check at work and said that he had found it on the street near his home; what a coincidence. It was a warning. Emerson got laid off but knew he had better not look back once he was gone.
      “I lost my job today,” said Emerson when he saw Bob in his usual five o’clock spot; on the steps outside the house, beer can in hand.
      “Oh, so sorry. That’s tough.”
      “No, it’s okay; I wanted to get laid off. Now I can collect unemployment insurance and get food stamps,” explained Emerson.