Prologue
(Updated 2-23-15)
(Updated 2-23-15)
He once told
me how he had tried to kill the president of Taiwan. I didn’t think he was
serious. I was interested; I let him talk. It was good listening practice. It
didn’t do much for his Mandarin, but it did wonders for my English. He always
had a lot of stories to tell, often ending them by saying, “Everything I know I
learned in Kindergarten.” Those were the words he wanted chiseled on his
tombstone, so I requested they be written, bilingually, after they found him,
silent, on that bench in the morning.
He had said that ever since he could remember,
he had been concerned with what was fair. He was hopeful that every person in
the world would have the chance he had had for life, liberty, and the pursuit
of happiness. If they publish this book, you won’t have to reinvent the wheel.
Everyone, he said,
had to fight to be free individually, as he had done. It had saved him from the
people who wanted to save him, and from those who wanted to hurt him. Good life
happened when he learned everything he was supposed to learn in kindergarten,
but he had to teach it to himself.
His last name
wasn’t Davinsky, by the way; it was Zukorhof. He changed it. He grew up in
Lawrence, Massachusetts, in the sixties and attended school there. It had been
fifty years since the Bread & Roses Strike in the city’s textile mills, but
it stuck to the walls of school like eggs to a frying pan. While living there,
he learned to get along with people from different cultural backgrounds. He was
Jewish, and had fights to defend himself at school, at summer camp, and at his
workplace.
At work, he realized it did not matter what
color he was; that if he was broken, the management would just throw him out; get
another worker. That lesson was not a kindergarten lesson.
Emerson,
prophetically named after the great philosopher, studied in Joe Ettor Junior
High. Joe Ettor and Ralph Waldo would have been proud of him; a wise, young, union-minded
man.
His
grandfather was his favorite person. Shimon Davinsky, who was a young man when
he escaped the Bolsheviks in Belarus, came to America in the early twentieth
century. They didn’t like Jews there, or anarchists in Russia. His ‘Pop’ was a
Jewish anarchist. He took a ship in Hamburg bound for Ellis Island. When
Emerson was young, Pop was his hero, the only man that would dare bring a flask
of schnapps to the synagogue on Yom Kippur.
In his junior year at Joe Ettor Junior High School,
Emerson’s father left home; he just went to the bank, emptied the account and
ran off with another woman from Falls River. It left penniless his mother to
care for them in 1970’s depressed Lawrence, Massachusetts. All the factories had
closed down years before; the union had slipped away. All they left was a museum
about the "Strike for Three Loaves."
It helped
him when dad left to realize he would have to work for a living the rest of his
life. His mom wasn’t going to pay him; she was busy raising family on her own
and keeping up a bourgeois illusion. Before he reached puberty, the cards were
laid out on the table. His grandpa, who he called Pop was an anarchist; his
role model.
The women
in his life played decisive roles; he did what he did to be with them or to get
away from them. His high school sweetheart drove him off the wrong way. His
conflict with women never pushed him away from women's children. As a teacher, he
met thousands of students, twenty per class, five classes a term, two terms a
year, for thirty-five years. Four children all got full love and attention. He
married taking the advice to be happy for the rest of his life, to choose a
particular kind of wife.
Although women and
children had influenced his emotional life, his intellectual and political life
had been dominated by men. His life in the progressive movement was forwarded
or sabotaged by the male of the species; egotistical, insecure, and otherwise,
sometime not wise at all. When the history of the world is written for aliens,
the prologue of that will state how men destroyed any chance of liberation for
his brothers and sisters by swinging their balls around social movements or
trying to find them. As his musical hero, Phil Ochs, once wrote, "Half the
world is crazy and the other half is scared." He wasn't referring to the
third half that were female. As a quote for that third half, he’ shared his
other musical hero, John Lennon, who wrote, "Women are the niggers of the
world" and left it at that.
Lies from people he
loved had altered his mindset forever, and minds do get set, like zebras do
with stripes. The first was a collective decision by his childhood friends to
abandon him because he was not Christian, the predominant religion of the Lawrence
he grew up. They could have tolerated him if I was a Protestant, like their brethren
from the Mayflower, but a Jewish anarchist in Massachusetts was intolerable,
something for witch- hunters to flush out and burn.
Flushed out he was
from a Lawrence junior high school of poor, patriotic simple-minded kids dying
to visit Vietnam. He thought of wandering by the pond at Walden, a better place
to contemplate the future. The only war he would wage would be against the
authority to throw his life away without his permission.
He marched to that
different drummer and carried the flag-draped coffin through Manhattan. He
didn't write the book on civil disobedience but he stole that book from Abbie
Hoffman and kept on demonstrating for his own freedom. His manager at the
supermarket watched the profit margin as he learned to cover his own ass.
College came and
college went and so did his draft number. He sure was lucky but survivors’
guilt drove him down, a puppet in a theater, to Washington DC, with a critical
mass, to become, to be high and be young, no sympathy for veterans or Richard
Nixon on the bum. Allan Ginsburg and Tim Leary led him to Cold Mountain to met
Lao-Tzu. The incense drew them closer to understand the dust and mixture in
love, the alternative to rust. The Mandarin language classes, cosmic dancing,
the sweetheart in Georgetown all seemed so natural a path to traverse. His
moratorium on hate and capital self-aggrandizement suspended all belief in the
ruling class system.
Emerson was a
leaf floating with the breeze in each event evocating intrinsic meaning, like
his being one with the puppets in the back of bus to a demonstration in
Washington D.C. or the painful headache he suffered all night camped out in a
D.C. church, or the illegality of the freedom of kite flying on the slope of
the hill in front of the Washington Monument.
The abandoned
factories in Lawrence, Massachusetts, a utility worker rising through his
manhole like some urban serpent to
spit on Emerson carrying a flag-draped coffin up Broadway in Lower Manhattan,
the enraged mounted policeman on his injured horse trying to crush him against
the side of a building; listen to understand Emerson’s life in the progressive
movement, like hazards in a video game on the way to his final move; his ‘game
ender.’ Public escape was impossible; only private escape was, like the man at
the gate in Kafka’s “The Law.” There was no other gate because that gate was
for Emerson, only!
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